Straight from sold-out performances in London and Paris, the groundbreaking Covid-safe experience lands in Ottawa!

CONTACT The Show gets 4 stars from The Guardian (UK)

"DELIGHTFUL. AN INSPIRED PIECE OF THEATRE"

– The Guardian
CONTACT Show Immersive Experience
CONTACT Show Immersive Experience

A young woman sits on a bench.  Lost in her thoughts.

What if you could

Dive into her mind...

CONTACT The Show gets 4 stars from The Guardian (UK)

"A TANTALISING VISION OF A NEW KIND OF THEATRE"

– The Times (UK)
CONTACT The Show gets 4 stars from The Guardian (UK)

"Both Surprising and REvolutionary!"

– Regarde En Coulisse (Paris)
CONTACT Show Immersive Experience

A Groundbreaking Immersive Experience

App + Headphones

After sold-out performances in London and Paris, CONTACT brings its raw, emotional journey to Ottawa. It is truly a live theatre experience like no other: with headphones and our mobile app downloaded to your smartphone, you will be immersed in the play's state-of-the-art 3D soundscape as you follow our actors around Lansdowne Park.
In a world where social distancing is the norm, Sarah is approached in the street by a stranger passing by, who turns out to be much more than he seems. Over 45 minutes, Sarah’s life will be forever changed by this extraordinary moment of CONTACT.  A beautiful story of love, loss, catharsis, and redemption.
This ‘charming’ (Time Out) and ‘gripping’ (The Guardian) show pushes the boundaries of what a live performance can achieve, and encourages us to fall in love with theatre all over again. Spotlighting Canada's cultural mosaic, the show is offered in 4 different languages. CONTACT happens entirely outdoors ensuring a safe setting for guests during the pandemic. 

Not Feeling Well The Day Before The Performance?

Ottawa

Cast

Lucy Sanci

Lucy Sanci*

Sarah
Lansdowne Park
Chris James

Chris James*

Rafael
Lansdowne Park

Aoife Kennan

Voice of Sarah

Richard Heap

Voice of rafael
The Participation of this Artist is arranged by permission of Canadian Actors' Equity Association under the provisions of the Dance Opera Theatre Policy (DOT)

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Holler Box