Charlotte Knight is a Canadian actor and musical theatre performer who recently starred in the iconic role of Elsa in Frozen, The Musical with Disney Cruise Line.  

Raised in downtown Toronto, Canada, Charlotte began studying voice at the age of 8 and went on to complete her Bachelor of Music in Classical Voice at The University of Western Ontario. After working professionally in opera for several years – and never quite fitting in – Charlotte relocated to London, England to pursue a post-graduate diploma in Musical Theater at The Associated Studios – and she’s never looked back!

Pre-COVID, Charlotte split her time between Toronto and London, making her UK debut as Cinderella in Into The Woods at The Chelsea Theatre, immediately followed by the title role in the UK premiere of Strauss’ The Queen’s Lace Handkerchief with Opera Della Luna at Wilton’s Music Hall. She won 1st Place in the Stephen Sondheim Competition at The Associated Studios and appeared with Singers Achoired as a featured soloist and vocal captain in the UK premiere and promo tour for “Good Omens” on Amazon Prime.

In Canada, Charlotte debuted with the Niagara Symphony Orchestra as the featured soloist in Dream of Christmas…Rêve de Noël, followed by the role of Rosalia in West Side Story with both the Niagara Symphony Orchestra and the Windsor Symphony Orchestra. She was a semi-finalist in the 2017 Lotte Lenya Competition in New York, USA and advanced to the semi-final round of the Classical Singer Musical Theatre Competition in Chicago, USA. Charlotte has toured with To Be Determined Theatre Co. in a musical adaptation of Alexander and the Terrible, Horrible, No Good, Very Bad Day, and performed the roles of Josephine in HMS Pinafore, Cecily Cardew in Earnest, The Importance of Being and Hanna in Cousin from Nowhere with Toronto Operetta Theatre.

Charlotte is very excited to embark on this new and exciting journey with the cast and creative team for the Canadian premiere of C-O-N-T-A-C-T in her hometown! 

Follow her antics at  @  charlottemarieknight

Nadeem Phillip attended Ryerson Theatre School, where he was trained by Ian Watson of the Stratford Conservatory, and Dr. Cynthia Ashperger of the Michael Chekhov Association. His career spans a decade in Theatre, Film, and Television.

Noteworthy credits include the world premiere of the smash hit Beatles musical adaptation of Shakespeare’s As You Like It, and the national tour of the award-winning Canadian musical Onegin. Nadeem is directing his focus towards culturally relevant work, striving to add non-colonial content to the Canadian theatre milieu. Nadeem currently resides and performs on land rightfully belonging to the Haudenosaunee, Huron-Wendat, and Anishnaabe. It’s an honor to perform this show, with this company, at this time.

Selected Credits: Lady Sunrise (Factory Theatre); Peter Pan (Bad Hats Theatre/Soulpepper Theatre); In the Abyss (Political Movement); Knives in Hens (Coal Mine Theatre); The Cave (The Cave Collective); Philosopher’s Wife (Paradigm Productions); Prairie Nurse (Factory Theatre/Thousand Islands Playhouse); Poison (Coal Mine Theatre); Salt-Water Moon (Factory Theatre, WhyNot Theatre, Mirvish); S H E E T S (Veritas Theatre); Late Night (ZoomerMedia, Theatre Brouhaha); Faust (Theatre by the Bay); Byhalia, Mississippi (Cue6 Productions).

When I was nine years old living in Serbia, my friends and I would make plays that we’d perform for our neighbourhood in front of the building I was raised in. I still dig it.

Originally from The Bahamas, Autumn-Joy is a Toronto-based singer, dancer and actor. She studied Theatre Performance at Holland College, and has since worked professionally across the U.S. and Canada in theatre and numerous national commercials.  Autumn-Joy is thrilled to be part of such a ground-breaking and innovative theatre experience and is grateful to the creative team for this incredible opportunity.

Select theatre credits: Cocolette in Shopkins Live!  (North American Tour / Koba Entertainment) Vivienne in Legally Blonde (Hart House) Sister Mary Robert in Sister Act (The Lower Ossington Theatre).

Special thanks to her family and friends for their constant support especially Ruthie!

Follow her adventures on instagram  @  autumnjoy242

Originally, from Vermilion Alberta, Robbie’s career has taken him around the world. Although currently located in Stratford, Ontario, Robbie retains a sense of prairie pride and is privileged to live and work on the traditional territory of the Anishnabek, Haudenosaunee (Iroquois), Ojibway/Chippewa peoples of Canada. From the Bunka Kaikan Concert Hall in Tokyo, to the Savoy Theatre in London, to College Square in Downtown Toronto, Robbie is thankful for the varied stages he has been able to perform on, and the incredible stories he's been able to tell.

Select theatre credits include:PRISCILLA, QUEEN OF THE DESERT, NEWSIES (Drayton Entertainment), MAMMA MIA! (Citadel Theatre); ROCK OF AGES (The Arts Club); LEGALLY BLONDE (Savoy, West End); SHEAR MADNESS (Drayton Entertainment); (THE TEMPEST (Theatre Royal, Bath); SCROOGE (Palladium, West End); LIFT (Soho Theatre, Off-West End); MUCH ADO ABOUT NOTHING, OTHELLO (Shakespeare on the Saskatchewan); Evita (UK Tour); DESIRE UNDER THE ELMS, J.M. BARRIE’S PETER PAN (Citizens Theatre, Glasgow); WILD HONEY (RCS, Glasgow); BITTERGIRL (Globe Theatre); OUR MAN IN HAVANA (Vertigo Theatre); ALL SHOOK UP, THE WIZARD OF OZ, FOOTLOOSE, I LOVE YOU, YOU'RE PERFECT, NOW CHANGE (Mayfield Theatre); VANYA & SONIA & MASHA & SPIKE, IT’S A WONDERFUL LIFE (Persephone Theatre); [title of show], THE CONFESSIONS OF JULIAN POE (Edinburgh Festival).

Robbie’s formal training includes a Masters in Performance from the Royal Conservatoire of Scotland and also a degree from Grant MacEwan University Theatre Arts program in Edmonton, AB. Robbie has given back to formal theatre training as a contract sessional tutor at the University of Saskatchewan Drama Department. In addition to attending multiple workshops on classic text, stage combat, and clowning, Robbie is an experienced cabaret artist. Some shows include WELCOME TO THE PARTY (Fringe Festival, Edmonton); ECLECTICISM (La Cite Francophone, Edmonton); CALL ME! (The Arches, Glasgow); WEST END SUNDAY (The Lucky Pig, London).

Kathleen’s favourite credits include: Peter Pan (Bad Hats Theatre/Soulpepper); Sisters (Soulpepper); The Jungle, Old Stock: A Refugee Love Story (Tarragon Theatre); The Wager (Theatre Gargantua); Winners and Losers (Chromatic Theatre); Molly Bloom (Fourth Gorgon); Lukumi, Esu Crossing the Middle Passage, Bleeders (The Watah Theatre); Bright Lights, Big Plans (Theatre Brouhaha); Slip, Special Constables (Scapegoat Collective); Edward II (New Theatre Projects).

Aoife trained at Cambridge University and LAMDA. Recent credits include ‘The 4th Country’ and ‘Good Women’ at VAULTS Festival, and ‘For Services Rendered’ at the Jermyn Street Theatre. She is a writer, actor and Co-Artistic Director of Plain Heroines, a female-led theatre company.

Richard got his first paid acting job in 1985, when £50 a week really WAS £50 a week. He cut his teeth – and got his Equity card – on the small-scale touring circuit with Sheffield’s Compass Theatre Company, where roles included Prospero in The Tempest, Jean in Miss Julie, Mephistopheles in Dr. Faustus and Hamm in Endgame.

He has been freelancing for the last 20 years and has worked at The National Theatre, Sheffield Crucible, Birmingham Rep, West Yorkshire Playhouse, York Theatre Royal, Manchester Library, Bolton Octagon, Dukes Lancaster, Salisbury Playhouse, Theatre Royal Bury St Edmunds, Richmond Orange Tree and in the West End. He recently toured the UK and Ireland as Estragon in Waiting For Godot. Last year he appeared in series IV of The Last Kingdom for Netflix, premiered Jane Black’s Peggy and Bill at The White Bear and directed a play for the first time – Mary Ann Figtree’s Lost Keys and Orgasms at the Pasty Motel, which won the Audience Favourite Award at the 2019 Camden Fringe Festival.

Richard sings in the bass section of The London International Gospel Choir (internationalgospelchoir.uk), is a proud member of The Scriptreaders (www.thescriptreaders.co.uk) and of Equity, the actors’ union.